Friday night was the private view for our 3rd Liverpool School group exhibition. It is at the amazing Atkinson gallery in Southport and is on until October. I am showing 8 framed limited prints, go and check the wonderful work:-D
After 3676 visitors and 32 painting sales our exhibition is finally finished ❤💙💛💚💜🖤 Such a pleasure to be part of such a succesful show and an enormous thank you to Paul Mellor and John Elcock for making it happen 👏😌❤💙💜💛💚🖤 Head down and back to work for my next exhibition in September 💃🎉💜!
After 2 long weeks of baking in the heat in this fabulous window space my painting, all 10 foot long of it, is finally done! It was such a pleasure and thank you to everyone who gave me a knock and a wave in support!
I have started my live painting live in our gallery window for the duration of our group exhinition 'a long the river run' as part of the Independents Biennial!!! Give me a knock and follow me on instagram for live painting progress :-D
As part of our amazing exhibition 'a long the riverrun' I will be doing a live painting in our gallery window! Yes I am mad! We hung the 10 foot wood yesterday all ready for me to start work next Wednesday the 11th July. A big massive thank you to the guys at Cass Art Liverpool for sponsoring me and giving me loads of free paint! Woohoo!
This summer, eleven of Liverpool’s leading visual artists will exhibit in a show for the Independents Biennial 2018 (IB18) exploring current practice in contemporary painting in the city.
From 14-29 July 2018 the former George Henry Lees department store will be transformed into a temporary exhibition space to offer a unique snapshot of modern figurative and abstract painting in Liverpool.
Taking its title from the first and last lines of James Joyce’s novel Finnegans Wake in which the first and last lines join the end to the beginning to start again, a long the riverrun joins together artists with different forms of practice but a common sense of endeavour that is both playful and serious.
The exhibition will occupy the ground floor of the historic store building which first opened in 1897.
The Independents Biennial 2018 (IB18) is the fringe event for the 10th Liverpool Biennial, the UK’s Biennial of contemporary art. The Independents Biennial is led by Art in Liverpool, the city’s leading independent art news website and magazine. The Liverpool Biennial and Independents Biennial will run from 14 July – 28 October 2018
What an exciting year for Liverpool it is this year! It is 10 years since we celebrated the capital of culture and with the Bienniel also this year there is lots going on. I am so happy to be part of the Independents Bienniel and have loads of exciting anouncements to make in the next few months! In the mean time I have quite a few paintings to finish before the exhibitions and print designs for another project I'm working on ;-) watch this space!
Honored to be asked to be part of this years Threshold festival again!!!! A whole weekend jam packed with mega talent! Cant wait!
Really excited to announce our group Exhibition at the newly refurbished Unity Theatre! The Liverpool School collective will be showcasing current work by their 10 members. The show opens wednesday the 17th of Jan and closes the 2nd of March! Get down to see some exceptional Geometric Art!
Private view Tuesday 16th January from 6pm.
With Christmas coming up I thought I would design a few new print designs to brighten your walls. Take a little look!
So I was nominated for the Artist of the year Award at the Knowsley Cultural Awards 2017!
The award ceremony was so much fun! The room was full of extremely talented people that were all so inspirational! I am completely chuffed I won second place! Got my trophy in prize position in my studio!
My heart could explode with happiness and thanks for all who attended my private view night! It was beyond what I could of imagined! Thank you, Thank you!
'My main objective as an Artist is to document my journey through our ever-changing world, observing, growing and learning with every situation life presents. My paintings are records of my existence. They illustrate my day to day, my ups and downs, my madness and my calm. When I paint, I can express all the thoughts that are swirling around my mind. My process is always automatic, from the paint used to the method in which I apply the marks. I combine abstract expression and focused graphical marks and I see all my paintings as self-portraits.
For this series of paintings, I focused my interest on people and their behaviour and how situations in life change people for the better and for worse. We are all human and we all behave in certain ways. Sometimes we affect other people and they affect us. My main objective was to express and reflect on certain feelings and hoped as a result I would gain a better understanding into why we behave the way we do, to learn better ways in communicating and to ultimately become a better version of myself. '
My exhibition will run from the 23rd January through to 20th May 2017.
Huyton Gallery, Library Civic Way, Huyton, Knowsley, L36 9GD
Opening Times are:
Mon, Tues and Fri 10am to 5pm, Wed Closed, Thurs and Sat 10am to 1pm
So the day had come for my work to be hung at Huyton Gallery! I had sketch's, plans and more plans on how I wanted my exhibition to be hung and look. I was worried the amazing guys who were hanging my show would tell me my 8 painting piece wouldn't be able to go as high as I wanted it to go but they were massive legends and hung it to perfection :-D!
A couple of days before my private view on the 19th of Jan the producers of Made in Liverpool TV contacted me and asked if they could come and interview me at my private view. I was sooooooo nervous firstly about revealing all my brand new work to everyone an secondly trying not to be too overwhelmed so I could answer questions about my exhibition. I was chuffed though! The show is called the Lowdown and features all the up and coming and current goings on in the North West. Its a very interesting show and I am so happy me and my exhibition were featured on it!!!
Made in Liverpool channels;
Sky channel 117
Freeview channel 7
Virgin Media channel 159
The curator Tina Ball from Knowsley Galleries contacted me and offered me a solo show at one of the beautiful gallery spaces she's in charge of. I went of to see Huyton Gallery and absolutely loved the space. Light flows in from the roof and the sides and I just knew it would illuminate the colours in my paintings.
I had 7 months to do 17 paintings the challenge was on!
Burnt Soul is a vibrant fashion label, inspired by colourful girls and guys using outfits to express their personality. They contacted me to ask if I would be interested in doing a collaboration. They wanted to use one of my paintings on a collections of catsuits so I jumped at the chance.
'For our first collaboration we wanted to marry fashion and art to bring you something truly unique. On our first foray into sourcing exclusive prints, we came across Cherie's vibrant style on Instagram. We instantly fell in love and knew we were a match made in catsuit heaven.'
'Cherie Grist is a Liverpool based Abstract Expressionist Artist. She studied at UAL and is co founder of 104 Duke Street studios in Liverpool. This Artwork, 'You already know pt1' is part of a series of 4 paintings. In her work she uses abstract expressionist and focused geometric marks in gloss and acrylic on wood.'
Check out there gorgeous designs here www.burntsoul.com/
I was contacted by the talented fashion & culture writer Amelia Electique, she asked if she could interview and feature me on her amazing Fashion, Arts and culture blog La Femme Electique! I was honoured. Here is the interview and also please check out her website it is an unbelievable feast for your eyes.
One of the first things that struck me upon observing – and exploring – the world of fashion is the extent to which it mirrors, informs and draws inspiration from its co-existent creative industries. Any doubts surrounding this theory are instantly quelled once these domains are closely inspected: whether it manifests in garments, artwork or liberal performances, there is undoubtedly correlation between societal movements and creative evolution. A prominent example in recent times is the subject matter of gender fluidity, which has spawned an increased broad-mindedness on the part of designers to interchange male and female models in their catwalk shows and ad campaigns. Designers such as Jonny Johansson of Acne and Jack McCollough & Lazaro Hernandez of Proenza Schouler have generated considerable intrigue from the former’s decision to send out Spring 2016 menswear models in platform heels and the latter’s groundbreaking placement of a heeled male model, all clad in black, showing off an outfit from the New York brand’s AW15 womenswear collection. Pantone’s Colour of the Year 2016 selection has also reflected this development in society (a topic I elaborated on at the end of last year) while numerous musicians have embraced gender-bending, many citing the inimitable David Bowie as a pioneer of androgynous, flamboyant performances. Art is equally influenced by these factors – one recent revelation was triggered by a Somalia-born, NYC-based artist named Uman, who is garnering acclaim for her redefinition of “outsider art”. One could continue to draw infinite parallels between each of these inventive sectors, but the fact remains that one common denominator binds them together: they are all indispensable forms of expression, captivating the senses to convey viewpoints in a manner that words cannot always achieve.
A shining example of this field of thought is Cherie Grist, a Liverpool-based artist whose mesmerisingly colourful artworks – which encompass eclectic diptychs, wood-backed acrylic art and vibrant prints – derive inspiration from photography, fashion and in-depth artistry. Tapping into an innate desire to convey her artistic vision to the world, she initiated a career in fashion styling and photography through studying at the London College of Fashion, having always viewed art as a side interest. After increasing realisation that her passion for art – and conveying herself organically through this medium – was becoming far greater than a secondary pursuit, she returned to Liverpool six years ago and delved into creating kaleidoscopic works. Specialising in Abstract Expressionism, Grist’s creative approach is as autobiographical as it is automatic: her enthralling works act as a gateway to her sub-conscious, expressing innermost thoughts and feelings so naturally that even the artist herself gains a greater understanding of her own mental psyche once the piece is completed. I spoke with Grist on her refreshingly-liberal creative process, the contrasts between working in London and Liverpool and the importance of embracing one’s artistic vision:
When was your interest in art – and your specific medium, Abstract Expressionism – first sparked?
I have been interested in Art for as long as I can even remember. I realised it wasn’t just an interest but more of an absolute necessity when I started college. I always knew I had something to say, I just didn’t know what it was or how to say it. I was drawn to Abstract Expressionism as I got a bit older and became more aware of myself. It was like a light went on and everything clicked into place. I had finally found the most natural way to express myself and off I went.
Your career encompasses a background in fashion styling and photography, having honed these skills at the London College of Fashion – what spurred you on to pursue a subsequent career as an artist?
It just kind of happened naturally for me. Even when I was planning my photography shoots I always had the same purpose/desire to convey my vision to the world and how I saw things. Then with time and practice, exploring different mediums, I found painting a lot more instant and natural to me. I could see and evaluate my expressions straight away and I found it the most useful way to express what I needed to say. It also allowed me a way to combine all my interests in and throwing paint about instantly satisfied me. It keeps me sane.
Do you feel that having trained and worked in one of the world’s epicenters of design has influenced your work – or your approach towards art – in any way?
I suppose being in the capital at London College of Fashion is a different kind of university experience than most others. You’re in the middle of the west end of London and you just have to crack on. There was no slacking or student pub crawls – really it was all about your work. It felt like we were all instantly in the industry and had to forge our paths from the beginning. I learnt subconsciously to trust my vision and realised straight away that what I had to say was the most important thing and that I just needed to find out how the best way for me to do that was. So yes, I think it has had a huge influence on me as it has made me trust and believe in my own vision.
What are your greatest sources of inspiration when creating art; does this change depending on each piece?
I’d probably say photography is my biggest influence; then fashion, then art. I love Saul Leiter, Harry Gruyaert and Daido Moriyama – their photos blow my mind. I love abstract images with depth. The shapes, angles, light and the contrast, love, love, love them! I am also a major catwalk stalker! I wait in anticipation for the new shows so with fashion weeks I could die with excitement. I love any kind of print so when a designer goes print mad I love it. Chanel’s Cruise 2015/16 collection for instance! Wow! The patterns and colour combinations! Every single season Peter Pilotto and Mary Katrantzou are amazing! I’m also a major Moschino fan too again for the same reason, Jeremy Scotts‘ colour palette! I love it! I think it’s more like I am constantly absorbing and researching then when I paint, it all just comes out.
I am also massive on people’s ways. Experiences really inspire me. I like to really reflect on people’s behaviour and mine too obviously. I just absorb everything, then let it process through my work. I try and document everything that’s going on in my life, that’s why I see all my paintings as self portraits really. Oh and I have to say one of my favourite artists is Jean Michel Basquiat. I look at his work a lot because it inspires me to stay free with my expressions. Sometimes it’s easy to get a bit stiff and precious, especially when I’m near the end of a painting and I don’t want to ruin it. I take one look at a piece of his and I remember to go wild.
Your vibrant artworks are incredibly expressive and liberal in nature – what does your usual creative process involve?
My process is often I stare at my canvas or wood for a little while, then I just go for it. Some days I feel like throwing paint about, picking whatever colour my subconscious chooses and whatever brush is nearest. Then other days I need to paint really calmly and that’s when I do my small geometric patterns. It totally depends how I’m feeling that day. I can’t force either style so I just have to go with my own flow. I will usually work on each painting for about 3 months. Sometimes continuously, other times I’ll get impatient and start a new piece. At the minute I’ve got 4 on the go but I try to focus on one more so the painting has a continuous flow. I will add a new layer each day I work on my painting so that they build up. Visual records layered on top of each other until it’s complete and has turned into a visual diary of months of inspiration, experiences and thoughts. You can usually tell what kind of time I’ve been having when reflecting back on them. I have also started writing short poems whilst I paint. I thought it would be useful to have a written record that I could reflect on.
If you could collaborate on a project with any creative – from the past or present – who would it be?
I am madly in love with Karl Lagerfeld so I would have to say him or I’d never forgive myself haha, if he could use one of my paintings for a fabric print on one of his collections for Chanel my life would be complete!
What is your current stance on Liverpool’s art/design industries, and its support for emerging creative talents?
Liverpool is a strange one. When I first came back in 2010 it had a really good underground art scene, there was always a private view to go to and as the city became more vibrant, I felt it lost that a little. Buildings that housed artists and were exhibitions took place are being bought up by big businesses, it’s really sad but good for the city financially I suppose. In our studio we are so lucky to be right in the centre and have a fabulous landlord that hasn’t sold out. As for support I am not aware of any, which is quite sad. That’s why it’s important to put the time in and trust yourself and believe that one day you’ll be recognised for your talent and hard work. I love Liverpool though, it’s a mega creative city full of mega talented people.
What do you feel are the differences – and merits – in establishing oneself as an artist in Liverpool compared to a sprawling metropolis like London, having garnered experience working in both cities?
The reason I moved back to Liverpool was so I could afford a studio space. Having both a home and a work space in London would have been impossible so that is the main plus with establishing yourself in Liverpool, things are just more affordable. At the moment me and my Artist friend Colette rent a big building right in the centre of town, then sublet spaces to other artists. That would be a pipe dream down in London for us. We have held exhibitions there and in other sites around Liverpool so it’s just a lot more accessable and easier to be creative. It enables you to be a bit more free with your creative ideas and there is always someone wanting to collaborate. London is good for the thing that all artists need, isolation. It can be a bit too easy in Liverpool to just have fun so it’s harder to stay disciplined. In London you have no choice but to work, concentrate and survive.
What advice would you give to any young artists looking to forge a career in this industry?
My advice would be to get your head down and try hard to establish what it is you feel you need to do or say then trust yourself and your vision. Work extremely hard and most of all believe in yourself and your abilities. It’s so difficult at the start of your career to want to give up and think about money, but if you really want to do this job then you have to think past that and trust that what you’re doing is more important. Hard work then more hard work!
What can we expect to see next from you?
I’m at a really exciting stage in my career. I’m confident and trust my vision and I feel now is a perfect time to broaden my horizons. I have a quite big solo show in 2017 which I am working on right now and have a few other things going on. Also something new for me, a collaboration in the pipeline, unfortunately not with Karl Lagerfeld! But very exciting all the same!
Cherie Grist is based in 104 Duke Street Studios, Liverpool, and will exhibit a solo show entitled “People Are Just People” this year in the city’s Huyton Gallery. Regular updates on upcoming events, developing works and a feast of visual inspiration can be found by following her on Instagram and Twitter – click “here” to visit her website for additional insights on her work, while a number of Cherie Grist artworks are available to purchase in print form “here”. If one thing is certain, it is that Grist’s awe-striking creations have the ability to transport you into a parallel, vividly-hued dimension – I would not be surprised to see her expressive prints adorning the fabric of Chanel’s beloved collections one day!
My very first painting I ever did ''There You Are'' was bought by a great guy. Here is a picture of it hung in its new home. It looks absolutely fantastic! I absolutely love this painting, it's really close to my heart. It was shortlisted for the John Moores contemporary painting prize in 2010
My diptych Second being hung its gorgeous new home! It's fabulous new owner the lovely Nikki Outram :-D and my bestie Abi helping me transport it! And her second purchase Us all hung lovely in her gorgeous kitchen.
My painting SPY has gone to the lovely MacSweens down in London.
The abulous Abi Harding from Liverpool is the owner of Table top.
And finally my painting Blue has been bought by the lovely guys at McKenzies bar.
I was approached by the guys at the fabulous Constellations & The Observatory to showcase my work. Its such a beautiful sun filled space so jumped at the chance!
'Constellations & The Observatory is an award winning, independently minded event space in the heart of the Baltic Triangle. The space, a regenerated warehouse and recycling yard. The result, an inspiring place to escape awhile under the sun and stars. All thoughtfully designed and curated for like minded people who share an interest in our great city’s rich arts and music scene.'
In January I was asked by the guys at Chibuku to do a special commission for their 15 year anniversary advertising campaign! My brief was to paint anything I wanted inside the shape of their carton the then the writing was to be put on afterwards.